Ivan at the End of the World
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sharing your new face.
a Portfolio feature with some of my new collage work in the Summer Issue of Magenta Magazine. http://magentafoundation.org/magazine
totally sacred.
Day 40 – a short film by Sol Friedman.
As a Producer on this project – can’t wait for it to Premiere at TIFF 2014.
worlds colliding
i just want – to – take – your face off.
…
long lost
always watching out that window- when the place burned down, when m. walked down the street covered by an umbrella, when i threw myself off the staircase, when the only color in the sky was purple. i never think about it now.
belated birthday
*****
other people working on me/keep my face on my face/expired sunscreen/they turn once more/chase the neighbour/diet of potatoes and leftover birthday cake/and seriously contemplating never answering the phone ever again.
happy birthday and all the rest of it.
playing somewhere over the rainbow from my wind-up music box at the age of 4
while at the unemployment office with my mom.
spinning and singing, while everyone else sat there down on their luck.
she says the irony was too much to handle.
thanks for sharing old/new memories.
#richwhitetrash
leave your face behind
leave an imprint of my face every week when my massage is over.
just skin (pale or medium tone) and eyes (black). all that’s there.
then i curse myself/or the makeup/or both.
thankfully none of the humor/privilege/bullshit/sadness is lost on me.
putting her back together
all together 1
the sound of pipes being broken, cars beeping, charlie singing, doorbell buzzer, heart pounding
mermaids
ffffflat
switching our memories
banned colors, words, cities
unsure what belongs to me now
…
fshnunlimited
- excited to share that my work is featured as a 8 page spread+back cover for Canada’s newest fashion/art magazine–
- fshnunlimited (F.U.)
- (first issue now on newsstands at Indigo & Chapters)
bbbblonde
2014
back to everything-part 2
back to everything
naturally pretty
Sarah Clifford-Rashotte. Studio Pile- Makeup. November 2013.
19
!!!
“When work is genuinely new and strong,” as he [American art scholar Meyer Schapiro] put it, “only a few sensitive people recognize it.” Usually, true enthusiasm is ignited by fellow artists. Later, word spreads to ever-enlarging circles of critics, scholars, and museum people, and lastly to the public.
—The Legacy Of Mark Rothko, by Lee Seldes